Friday, September 29, 2017

Thing 4: Communicating Visually

At this point in the Rudaí 23 experience, I should insert a disclaimer. I am not the official voice of my library, which shall remain unnamed. I do not coordinate public relations there, or even serve on our marketing team. I understand there are limits on how I may apply the material presented in this course, and it is not my intent to overstep boundaries and perform tasks assigned to somebody else. No content I post on this blog represents the opinions of my employer. (That should cover me!)

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At my library, I work as a public services and liaison librarian, creating LibGuides and educational materials. Outside of the library, I have been and continue to be a contributing member of professional association committees. In these roles, there may be opportunities to apply some of the course material.

I enjoyed experimenting with PhotoFunia, although I found it easier to use on my workstation than on a phone. A number of the templates are visually “busy,” best combined with simpler images. Libraries or other entities with strong visual brands could certainly take advantage of these options. (I do wonder if the Wyoming State Library’s Mudflap Girl image would still be effective in the “cup of latte” template.)

For fun, I tried applying a yellow and red “watercolor” (actually “watercolour”) modification to a tempting sight captured at my local farmers’ market.

Pint containers full of cherry tomatoes that vary in size, shape, and color Splotch with barely recognizable cherry tomatoes, shaded from yellow to red, left to right

The results don’t do much for the tomatoes, except perhaps permitting them to masquerade as small blurry potatoes instead. But the colors are certainly eye-catching.

I also tried my hand at creating a Quik video. No doubt, this one will keep viewers glued to their seats.

[Title: The Library is Your Seat of Knowledge. Color photographs of different types of library seating, with zoom effects inserted by the Quik software. (0:45)]


Editing on the phone was quick but not always intuitive. Help screens are linked under the settings icon, but I generally prefer reading text on a larger screen. While pulling together another video I realized Quik constructs default title screens based on the metadata of the photographs--in that case, “An afternoon in (the town where I shot the photos).”

Being a librarian in the USA, I need to consider the accessibility of library resources and services. I’m not sure how Quik clips play for a person with impaired vision. Would a phone voice the text, is it necessary to add descriptive audio, or are there are better means of conveying the visual information?

Thursday, September 21, 2017

Thing 3: Image Banks

One reason I enrolled in this program is to learn more about tools for promoting library services and resources. Last year, some of my colleagues and I designed a portal intended to support small businesses and entrepreneurs. We think they will benefit from our content, and we want to increase site visits.

Selecting images to represent abstract concepts is challenging. For the concept of “business,” for example, should we focus on people or on products and services? What image best represents an entrepreneur or small business owner? How do we capture the broad range of businesses in the state? Is our current image, a (presumably urban) skyscraper, the best choice for a largely rural state? Would a rotating gallery of images address these questions?

Enough musing. Time to complete the Thing.

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I searched for “entrepreneur” in Pixabay, limiting results to photos with a horizontal orientation, and retrieved 127 results. Scrolling through, I saw a few problems. I would describe many of the images as “hip white dude.”

White bearded dude with glasses, seated on sofa using a laptop

There are some examples depicting racial and ethnic diversity...

Four seated light-skinned young people of color leaning together. One man is sticking his tongue out and one woman is shrugging.

...or women.
Light-skinned young woman with braid, about to "raise the roof"

It’s clear, however, that in Pixabay’s universe, an entrepreneur is generally young and works in a contemporary office setting. Given Maine’s demographics and economy, those images pass over much of our potential audience. I had to scroll to the bottom of the first screen of results to find a choice of images I felt would be more appropriate.

Laptop and cup of coffee on table


Small forklift truck in front of warehouse shelves

Call it entrepreneurship without the entrepreneur.

Friday, September 15, 2017

Thing 2: Write Your First Blog Post




[Text of screenshot: As four white women, we recognize that the editorial team can only offer a limited viewpoint on these issues and we are working proactively to engage a diverse set of perspectives. [Bolded text] We aim to provide space for those with different work experience such as non-tenure track librarians, technical services librarians, and library workers without the librarian title, as well as those with different lived experiences, such as librarians of color, non-binary, and LGBTQ+ folks.]

Last month, a team of early-career librarians tweeted the arrival of a new online community for library researchers. They presented themselves as an inclusive group, committed to social justice, and judging from Twitter commentary, other librarians agreed. Were they as inclusive as possible?

I am also a white female librarian, but I belong to the one-fifth of all adult Americans who have a disability—in my case, multiple disabilities, all non-visible. For this post, I’ll focus on a cluster of chronic musculoskeletal injuries, acquired thanks to a combination of short stature and a working lifetime spent in ergonomically inappropriate settings. As a disabled person who can and does hold a job, my “different lived experiences” include not only pain, fatigue, and restricted range of motion, but also unsupportive and even openly hostile workplaces.

Unless or until the current U.S. government severely undercuts the Americans with Disabilities Act, most library worksites are required to provide “reasonable accommodations” so that I can perform my job. Sounds good, but it’s the employer that gets to define “reasonable.”

Standard office chairs leave my feet swinging in mid-air, as if I were a child, and strain my lower back. Yet during my first year at one library, management did not consider even a cheap footrest to be “reasonable.” Instead, administrators helpfully directed me to the mailroom, where I had to rummage for used cardboard boxes of just the right height to support my legs. Sometimes I could make do with a box for an entire month before it sagged too much to serve. I finally obtained a footrest—but only after writing a formal request explaining that recycling boxes was not a permanent solution.

In another job, a manager ordered me to repeatedly reach overhead and pull heavy books from the topmost shelves of the stacks as part of a weeding project. This action inflamed both of my already-injured shoulders, so I requested a few hours of student employee assistance. On hearing of this, an individual in my chain of command informed me that pulling those books was a “professional” responsibility. Getting help from somebody else was not “reasonable” accommodation until I obtained a note from my primary care provider—explaining I would not grow taller before deadline. Getting that note, of course, required payment at a clinic—an installment of the “crip tax” constantly levied on disabled people.

Library employees who do not share my experiences may wonder why I didn’t turn promptly to workers’ compensation in both of these cases. For readers blissfully unaware of how that system operates: when you report a work related overuse injury, you must account for ALL your life activities involving the afflicted body part(s), not just the actions you perform at work. Cooking, housework, hobbies like playing the piano or knitting—according to workers’ compensation staff, those are the reasons I develop pain that keeps me awake at night. Without fail, gatekeepers tell me to buy meals instead of preparing them myself, or to hire someone to clean my home: more crip tax.

Furthermore, workers’ compensation offers minimal treatment and rehabilitation. As the designated physical therapist told me during my last go-round, the objective is to move employees just far enough towards recovery so that they can return to work full time. If I want to be able to do anything utterly frivolous—like cook my own dinner or push a vacuum cleaner around, without pain, after a day at work—I need to visit clinics outside the system, paying still more crip tax.

If you are truly interested in diversity or social justice, don't assume that middle-aged (or as my officemates say, “old”) white co-workers have no unique insights or experiences. We may not feel comfortable revealing one or several disabilities, especially if you are constantly informing us how “privileged” we are. Disabled people are everywhere, including the library. And you’re not very inclusive if you won’t even acknowledge that we exist.